I sent Steven an email back in July 2013 proposing a story about supernatural stuff happening in Tokyo. The idea for it came from story bits I had been brainstorming about mythology in the modern world mixed with a cool illustration Steven had done years earlier in an art book called Vent.
Over five years later, here we are with thirty issues under our belt and a big crazy story about myth, destiny, and finding your way in a changing world.
I knew how the broad elements would come together for the finale but I wasn’t sure if it would end up being optimistic or something grim. Thankfully, a hopeful tone won out and, rereading it now, it feels right.
The unknown is scary, but it also carries great potential. Our past informs who we are, but it’s not the sum total of who we will be in the future.
Going on this journey with our creative team has been an incredible honor. Steven Cummings and I worked together on opposite sides of the world, keeping production going around the clock. I’d pop onto Google Hangouts late in the evening as he woke up to start another day of art production. We’d check in and encourage each other as we plugged away on each issue, each arc, year after year. Like any creative endeavor, it was stressful at times, but also a constant source of joy.
Tamra Bonvillain came on board to color Wayward at the end of our first arc and stuck with us until the end. Her ability to bring out the best in Steven’s line work and take it to a higher level with mood and atmosphere still makes me smile. She brought a distinct look to the series that kept us competitive with any other title on the stands.
Marshall Dillon has been with me on every creator-owned series I’ve done and with good reason. His work effortlessly enhances each page, keeping readers focused and moving through the story in a way that’s easy to take for granted. That’s what great lettering does.
Zack Davisson and Ann O’Regan brought their knowledge and research skills to the mix in a way that helped us stand out in a crowded field. Our back matter essays were educational without being preachy, fascinating and always relevant. The reference material they provided helped ground our supernatural story in the real world and brought added value to our single issues and collections.
Wayward gave me the opportunity to dig into my love of Japan in a way I hadn’t ever thought possible. It forged lifelong friendships, enabled trips around the globe and enriched my life, time and time again.
Thank you to my wife Stacy for her endless editorial support and love, to the crew at Image Comics for helping us every step of the way, and to the many retailers and reviewers who enthusiastically told people about what we were doing as we built our readership.
Thank you for supporting us. Every day I’m thankful I get to make comics and none of it would be possible without great people like you.
Right here, right now…Anything is possible.
Jim